ज़बानें अपना कल्चर रखती हैं और वही ज़बान बड़ी तसव्वुर की जाती है जिस में ख़याल और इज़हार के लिए अल्फ़ाज़ की तंगी न हो, यूँ तो सारी ज़बानों के अपने लफ़्ज़ और अपना शब्द-कोश होता है। और दुनिया के मुखतलिफ़ हिस्सों में बस्ने वाले लोग अपनी ज़बान पर फ़ख्र भी करते हैं, इसी तरह… continue reading
Tag : RekhtaBlog
Concept and Text: Abbas Qamar In the latter half of twentieth century, the world was hit by a Feminist storm; and rightly so. The female voices rose to break free of the four-walls behind which they had always remained unheard in a strongly patriarchal society. We mention here some names and their works that championed… continue reading
Some stories never die; they are told again and again, from time to time, place to place, author to author. One such is the story of Heer and Ranjha. About six centuries old now, it was first narrated in verse by one DamodarArora during the reign of Emperor Akbar. Damodar was a native of Jhang where the story is broadly based and he had heard it from one Raja Ram Khatri who is supposed to be an eyewitness to all that happened. Since then it has been narrated variously and in various languages, both in verse and prose. One of the most notable narratives came from Waris Shah in 1766, apart from several others in Sindhi, Haryanavi, Hindi, Urdu, Persian, and English. In Persian alone, there are as many as twenty versions of this story and in Urdu not less than fifteen.
The stories of human-animal love are not too rare. Here is an atypical story of love between a queen and a peacock told by no less a master craftsman than Meer Taqi Meer (1723-1810). This verse- narrative known as More Naama has survived through two centuries and has been acknowledged as an exemplar of Meer’s skill of telling a tale in a poetical framework which is allegorical in nature and far reaching in appeal
The metaphor & the analogy render beauty conceivable. Without them, beauty cannot be spoken of. How could a poet refer to the beloved, if not through the mesmerizing charm of metaphors?
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