Ishqnaama: The love-life of Meeraji
A major modernist poet, by all means, Meeraji is also a myth of sorts. He had to be so, for he lived a life completely atypical and totally abysmal.
A major modernist poet, by all means, Meeraji is also a myth of sorts. He had to be so, for he lived a life completely atypical and totally abysmal.
An emotionally honest Josh has remained an icon of love with a difference. In this extraordinary narrative Yaadon ki Baraat spread over 729 pages, he has narrated his love-life in 57 pages and unabashedly claimed that he loved “not once but eighteen times”.
The metaphor & the analogy render beauty conceivable. Without them, beauty cannot be spoken of. How could a poet refer to the beloved, if not through the mesmerizing charm of metaphors?
It is almost impossible to say for sure when the story of prince Manohar and princess Madhumalti was told first and by whom. It may be safe to surmise that it is essentially a travelling tale that reached different people through folklorists. Supposedly, Sheikh Manjhan was the first to write this story in Hindi under the title of Madhumalti sometime in the mid-sixteenth century. During different periods of history, this story was written and re-written at least nine times in Persian and thirteen times in Urdu with different titles.
Traced back to the Mahabharata, here is a story that Rishi Markandeya narrated to Raja Yudhishthira. The story which praises the virtues of a zealous woman and a devoted wife is that of Savitri who figured in Devi Bhgwat Purana and also became the subject of several literary compositions in the East and the West.
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