इमरोज़ की मिट्टी का गुदाज़, लोच और लचक देखकर हैरत होती है कि कोई इतना सहज भी हो सकता है। लोग जो भी बातें करते रहें, वो दर-अस्ल इमरोज़ को अमृता के चश्मे के थ्रू देख रहे होते हैं जबकि इमरोज़ किसी भी परछाईं से अलग अपने वजूद, अपने मर्कज़ से मुकम्मल तौर पर जुड़े रहे हैं।
In Akbar Allahabadi, Urdu language found a humorist, a satirist, a commentator, and a reformer. Unlike many, his satire is not corrosive, or black in nature. He lived during the British Raj and his poetry provides glimpses into the socio-political conditions of that age.
In Urdu, there is a huge treasure of such words which are known as ‘DaKHiil’. In fact, there is another treasure which is even bigger than that of DaKHiil words. Interestingly, these new words have appeared in new garbs with variations in meaning, pronunciation, and spelling.
Akhtar ul Iman was one of the most important Urdu poets of his time. Considered as one of the pillars of modern Urdu Nazms (Poems). Akhtar also wrote dialogues for more than hundred bollywood films including ‘Waqt’ and ‘Qaanoon’.
शकेब जलाली की शायरी का उस्लूब मुनफ़रिद और मुमताज़ है और उनकी ग़ज़ल में क़ुदरत रात-दिन, जंगल-सेहरा, बहार-ख़िज़ाँ, अपने हर रूप में जलवा-नुमा है। उनकी शाइरी में ख़िज़ाँ-रसीदा शजर, चाँद, दरिया के इस्तिआरे क़सरत से इस्तेमाल हुए हैं।
Mushaira (mehfil or bazm) is a gathering of the poets who write, recite and listen to poetry of one another written in Urdu language, with a participative and responsive audience. It is not a contest which has a winner in the end, but the poets simply read out their self-composed poems in their patented and individual styles, crafted in accordance with a specific metrical pattern and carrying a certain loftiness of thought.
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