A Romanticist-cum-Marxist, Sahir Ludhianvi remains with us as an iconic poet. Celebrated as a poet, film lyricist, he also remained at the centre of stories that has kept us fascinated over these decades. Here are some excerpts from his poetry that establish him as a poet of resistance par excellence. Dreams sustain us. Even in… continue reading
A brief appreciation of Ghazal and its characteristics
Talking about the appeal of Urdu Ghazal, it would be no exaggeration to assert that ghazal dwells outside the bounds of Time. Despite almost eight hundred years of its existence, it hasn’t lost its magnetic sheen. This blog unravels the elements of a ghazal that render to it its essential language-less musicality and enchanting lure.
Hazaaron kaam mohabbat mein hain maze ke Dagh
Dagh Dehlvi lived a life of pain and pining in love. He left behind a treasure-trove of love poetry but did not experience the blessings of love. His coffer was empty; he only knew of an illusory love and died with a wish for turning that illusion into a reality.
Ishq se tabeeyat ne zeest ka maza paaya
To think of love and life is to think of Ghalib the lover, and Ghalib the beloved. He was not angelic in form and moving, nor a god in his apprehension but he surely was a piece of work, not very noble in reason but infinite in faculty. He was indeed Shakespeare’s ‘quintessence of dust’ who saw his love going to dust with emotional attachment and philosophical detachment.
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